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The subjects covered are well chosen and diverse, and you really get perspective on how widespread and potentially devastating our manipulation of the natural world has become. Perhaps it may seem that I overstate my appreciation for this movie. But, when you see the extraordinary compilation of beauty, work and effort that went into creating this work of ART, you may agree. It spotlights one case in history to show what happens when a society doesn't react to the damage it is doing to its own environment. Probably one of the best movies of 2009 and one of the best documentaries of the year as well.
This may too slow and strange for many so I can't recommend it to a general audience but it's different and I would give it a 6.5 out of 10. I saw this movie for the first time about a week ago. Overall it was a wonderful but somewhat bizarre and hard to follow storyline.
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He handles all this as just so much adventure. One daughter is the sort you love to hate, full of herself, selfish, totally absorbed with her appearance, idle, rude. Mom and Dad are a very loving caring patient couple. It is a movie where the circumstances gradually deteriorate. I think of Roman Polanski's Repulsion for a similar effect. It is like a horror movie -- unpleasantness for the sake of unpleasantness.
They have incorporated the highway into their daily lives, e.g., the son rides his bike back and forth and there is an easy chair out there where they can relax. The authorities decide to complete the highway - and their lives change (that's putting it mildly). They go from a family who seem very happy in their bucolic home setting to an existence filled with traffic, incessant noise, and pollution. In an attempt to get some much-needed quiet, they wall themselves into the house.
Henry Cavill’s Next Play: Warhammer 40,000 Series for Amazon
But I am not ready to forgive the editor for missing this, especially so soon into the film. I live in a city that is more then twice as old. Imagine how hard the Iraqi's are laughing right now. First of all I am relieved that a movie on this subject has been produced with such a high budget. It's about time someone really tried to sum up what the human condition is, and the relationship between our condition and the condition of our planet. As the family's proximate relationship intensifies, the eco-parable is verified, and the drone of cars whizzing past their kitchen window becomes unbearable, Meier resorts to feverish melodrama, with a life-threatening consequence.
It was expected to sell in excess of 100,000 copies. When production costs are met, all proceeds sale takings will go to the GoodPlanet Foundation. On 5 May 2009, a second press-conference was held again in Paris, where the same crew members announced that the film's release date would be 5 June 2009, World Environment Day. To promote the documentary online, a YouTube channel known as "HomeProject" was created. Uploaded to this were various short clips of filming which took place in different parts of the world including the Arctic Circle, Africa and the large metropolises featured.
'Nothing to Hide' ('Le Jeu'): Film Review
I give 9/10 as it's an ambitious film in both its audacity and originality and the fact that it gets away with it, becoming a sort of psychological horror. All the players, especially Huppert are uniformly excellent and totally believable, as is their environment, which IS worrying.... This tremendously odd little film is obviously intended as a parable about the oppressiveness and chaos of modern life as it encroaches ever more forcefully onto the peace and tranquility of a rural existence. The family members become increasingly ill-tempered, paranoid, neurotic, even violent as the outside world inexorably presses its way into their once-placid lives. The family in "Home" leads a relatively carefree and decidedly unconventional lifestyle. Their house stands adjacent to an abandoned freeway, which they use as their own private recreation area.
Generally speaking, Palud has a good eye for the coarseness of country folk and life. Victor Seguin’s unadorned cinematography, which seems to use only available light while saturating the colors, is the perfect choice for the muggy, near-oppressive countryside summer during which the story is set. The appropriately stripped-down look fits perfectly with who these characters are, which is why the few instances in which music is used feel somewhat out of place as they pull the film in a more melodramatic direction.
The idea for the story came from the writers' observing houses along highways that are incredibly close to the road and wondering what life must be like, both for the people who live in the houses and those who have abandoned the houses. And instead of the people on the road observing the life of the people who live there, it's the people who live there who are observing those on the road. It will be easy for audiences to dismiss this film. In fact, the ambitious project by French-Swiss director Ursula Meier demands a lot from the casual viewer. It is obvious Ms. Meier wanted to say a lot about the disintegration of a family at the center of the story that we first meet on a happy, playful note. At an online store, you will be provided with the capability to compare prices without the hassle.
The fact is that if all traffic was stopped tomorrow, our society could not function so these deaths are tolerated and facts about deaths caused become like the elephant in the living room. Incidentally 5.4 million people per year are estimated to die from smoking. Since this family smokes like a collective chimney perhaps the director has got a ready made sequel... Despite this, what Sciamma presents us with is a time-travelling story between two young girls who turn out to be mother and daughter to each other.
This became crucial to accept when the social and sociological obstacles happened to put an end to their game. Whereas, they realize the meaning of love is to go after your lover no matter how hard the situation is. They put an end to their life together at the end to be able to stay loyal to their game. This film will not appeal to lovers of mainstream American cinema - it is too intelligent in the way it challenges our usual expectations. We usually expect to finish watching a film and have no questions - to have everything wrapped up nice and neatly so we can get on with our lives.
Do you remember Olivier Gourmet from his performance in the Dardenne brothers' “The Son” ? Usually looking fundamentally the same, always assuming a new character from the inside out. There's thought in that face, but it's inscrutable. They work with the young actors here to face what it means when a home is not a house. Had many viewers but didn't have much echo" because Arthus-Bertrand's personality, activities and his innovative no-cost concept have captured more attention than the movie itself.
She takes a cunning look at the footage and knows how to tag it. She doesn't care that most funds for this project originate from enterprises selling to the happy few who account for 25% of global pollution and exploitation. Nor, that chasing hundreds of helicopters, jets and piston planes around the planet most probably had a carbon-dioxide balance comparable to a mid-sized western city. Now he has a story and something to show for. Regardless how cynical it is, a bad story is still a lot better than none at all.
It is fantasy in that it lets you suspend realism for a moment, and dwell on the things we take for granted many times- laughter, romance, and childlike innocence. This movie made me smile, and I have no need to question motivations etc. It would be absurd to questions things that are meant to be left alone in their wonder.
The French – Film Review
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